In Michel Lamoller’s (b. 1984) photographic reliefs, various prints are layered on top of one another in ways that mimic our increasingly stacked and urbanised behaviour – each composition representing a new, hyperreal existence in both form and structure. Through the acts of cutting and pasting – and further exaggerating the labyrinthine qualities of megacities – he explores what it means to exist in radically mechanised landscapes, whilst questioning the ultimate reality presented by images today. Lamoller speaks to us in light of a new show at The Ravestijn Gallery, Amsterdam, Anthropogenic Mass.
Via: aestheticamagazine.com
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